WHAT REALLY HAPPENED AT THE FALL OF ATLANTIS…?
Where are we supposed to find extant Atlantean untouched remains…?
The problem with Plato, is that his teacher Socrates had to swallow the hemlock poison after expressing his dismal view of humanity; Socrates taught that all we really know is that we know nothing, and the central point in all human existence was the conundrum of truly knowing thyself beyond the acquired illusion of one’s assumed identity –you know, actually believing to a tee that this guy named so & so married to so & so working for so & so, and so on & so forth, is the real “self”, when it is just an acquired social identity accepted because of Astra Amnesia of you you really are/were in your previous incarnations, and what your true purpose for the present incarnation is–. Quite evidently Socrates HAD A GNOSTIC VIEW of existence, whereby there are 2 Creations (one original and true, another a trojan counterfeit one, this key distinction including all the beings dwelling in them), and sought to compel one to determine to which Creation one belonged to; it’s rather obvious that he was interested in AWAKENING the “True Humans” with connection to Original Source, to embark on a quest to find out & discover their hidden or forgotten real identity beyond the normal “assumed” one.
AFTER SOCRATES’ DEMISE, PLATO OPTED TO SPEAK IN CODE ONLY
Did his description of Atlantis as an Island of concentric plan, secretly mean the South Pole…?
As a matter of fact, we have no trouble at all coming across similarly encoded references to the Antarctica at the South Pole, nearly in everything of importance one can think of almost; be them places, monuments, buildings, religious symbolism, names, it’s practically everywhere –once you realize that this could be the over arching motif, that is–. Call it the age old method of Hiding-In-Plain-View all the really big secrets, right in front of your eyes, yet out of mind.
We have all heard about the Abode of the Gods otherwise known as the Pantheon of the Gods; thus to have a most influential building in classic Rome precisely called The Pantheon, should raise your attention. The question here is, which other important buildings did The Pantheon influence…? For one thing, it was the inspiration behind none other than St Peter’s Basilica at the Vatican, but it also was the inspiration of Thomas Jefferson’s architectural quest, as seen in his home the Monticello, and the University of Virginia –this why the Jefferson Memorial like the Univ of Virginia, also mimics The Pantheon’s structure–.
FOR ALL RELEVANT MORE EXTENSIVE EXTRAPOLATIONS OF THIS THEME READ (OR SIMPLY QUICKLY
PERUSE THROUGH) THESE ARTICLES FROM MY OTHER OLDER BLOG, AS THEY PROVIDE A LOT OF CLUES
Not only in the above 3 articles but in many other articles form my other older blog which delve into the clues & cryptograms left by master film director Stanley Kubrick, one can attest to the importance of this archetype; when we look at the lower floor of the Univ of Virginia’s Rotunda, we so clearly perceive Kubrick’s clever way of pointing to it via the use of CINERAMA as a triple projector device mimicking the EYE, the Cornea being located where the movie screen we watch stands. The light comes into the brain via the opening at the Cornea, and Kubrick in this way was referencing The Pantheon above opening called the Oculus (Eye in latin) but much more specifically so he was referencing both the lower floor plan of the Univ of Virginia’s Rotunda as well as Thomas Jefferson’s home in Charlottesville-Virginia, called the Monticello –designed by him, took him 40 years to complete– (it is forbidden to take photos or videos of the Monticello’s inside, but a tiny few can be found on the web):
Now anybody could say that this is simply a case of the perennial illuminati conspiracy –you know, the Eye on the Triangle on top of the Pyramid–; but if you’re here reading this blog it’s more likely you are way more intelligent than that, way past the reductivist conspiracy theory mindset where only the ones at the top oppress all others, and that’s it. In this blog the themes are MUCH wider than that caricature, more related to the Gnostic viewpoint of a conflicting merging of 2 Creations and its being; this implies that we don’t have merely a political problem, but specially so that we have a spiritual problem.
“There is no political solution to our troubled evolution
We are spirits in the material world, are spirits in the material world” -Sting
WHY ARE WE IN THE 3D MATERIAL WORLD, THEN…?
The Gnostic answer is that we the spirits are here to be milked of our spiritual Psionic Energy
(and this is the “Sion / Zion” symbol, to steal the Creative Energy connected to Divine Source)
So this 3D Matrix is a STAGED TRAGEDY DRAMA in order to induce the emotional / spiritual Kundalini Harvesting, constructed in such a Quantum Bio-Computing way as to GUARANTEE PERPETUALLY such harvesting, because it’s been all rigged from the get-go to enact Cyclical Sacrifices fractally repeating in all scales of time * space, from the daily personal to the yearly collective to the eons-scaled civilization wise. In this respect then, there are 2 very distinct opposing factions, each vying for a specific set agenda:
1st FACTION: an agenda to escape this 3D material Matrix and Re-Ascend
2nd FACTION: an agenda to further entrap everyone in this 3D material Matrix
PROBLEM IS, THE 1ST FACTION HAS BEEN TAKEN OVER BY THE 2ND FACTION
This is what is known as the “Matrix Control System” now running most groups, religions, lodges, movements, and what have you; yet at the beginning of each movement, you can clearly trace back the 1st FACTION’s steps and footprints all over, then gradually co-opted, assimilated, and finally taken over by the substitute counterfeit cartel of the 2nd FACTION. And that is in a nutshell, the history of Humanity since the Fall of Atlantis; 2 separate Factions of opposing slant –one serving the vampiric needs of the Demirge running the Counterfeit Creation, and the other trying to escape it and take root once again in the Original Creation beyond this dimension–. One seeks to find the extant Atlantean knowledge & technologies in order to further enslave & control the dwellers of this 3D material Matrix by linking them to the Demiurge programming, the other seeks exactly the same knowledge & technology to escape all this and re-evolve back to the Original State of Being linked to the True Divine Source. The way this works in practical terms is easy to figure out once you understand the issue:
PRACTICALLY ALL RELIGION & MASONRY IS ACTUALLY “SPIRITUAL MATERIALISM”
PRACTICALLY ALL IDEOLOGY & POLITICS IS ACTUALLY “INTELLECTUAL MATERIALISM”
Thomas Jefferson represented a different path in politics; his avowed “Pursuit of Liberty” whether it be in the religious/philosophical/political/existential sense, meant to propitiate the minimal conditions to guarantee the Absence of Total Interdiction from the Matrix Control System. He strongly advocated high Education & a Free Spirit attitude, involving a deep love of music, architecture, arts, and science. Jefferson might not have been perfect, but was certainly a member of 1st FACTION with connection to True Original Source; the perennial Insider-Outsider, he walked the halls of the few, but remained committed to cementing a structure of Liberty where all spiritual humans could within the limits of their personal circumstance be minimally able to be themselves in peaceful order. Jefferson famously said he wanted no other place to live in & no other other society to live in than the US of America, thus strongly expressing his rejection of European pseudo “supremacy” (i.e. Monarchy programming). As the writer of the Declaration of Independence, speaking fluently at least 6 languages (some have claimed he spoke dozens of languages), being a self taught architect and musician, a researcher on science and esoteric secret wisdom, Jefferson stands as the greatest politician in a very long time on Earth, by a really long shot indeed. He inherited some 20 to 40 slaves, along with some steep debts, and we do not know the real bond between him and those under him -so we must not jump to quick conclusions-; after his wife died, Jefferson in fact had a son with one of the black maids, perhaps signaling a secret bond with those who labored for him at Monticello. For ex his wife actually married him not for position, but for true love and their common love of music, as both would play their instruments together (she died a mere 10 years into their marriage, and Jefferson never married again as promised to her, known to take long horse rides into solitude mourning her passing away).
Thus there you have the prototypical manipulation, the elemental DETOUR tactic on the part of the 2nd FACTION serving the agenda of the Counterfeit Demiurge; to “appropriate” unto itself the opposed agenda, and proceed to pass-off as being it, for ex to takeover Thomas Jefferson’s Libertarian agenda. Pretty soon, it all becomes one messy affair, with all Libertarian spiritual humans under siege, toyed upon, and stolen of their inner knowledge & talents in order for the Demiurgic faction to hoard it. This is peculiarly evident in the issue at hand, the extant Atlantean repositories and the implicit EXODUS agenda left over for SPIRITUAL HUMANS and not for the control freaks of the 2nd Faction, which have been hoarded unto themselves by these demonic humans, obfuscating such knowledge form the rest of Humanity, via slanting all spiritual wisdom towards distracting concoctions designed to condition the Mind & Will to accept the vampirism –what is called “Manufacturing Consent”, because a vampire as the legend goes, needs first to be invited into a house to come in–.
THUS NEARLY ALL RELIGION WAS SLANTED TOWARDS IDOLIZING “SACRIFICE”
THUS NEARLY ALL IDEOLOGY WAS SLANTED TOWARDS IDOLIZING “CENTRALIZED CONTROL”
“PAUL” means Earth “POLE” in relation to “PINEAL” Gland
“PETER” means Earth “PERIMETER” in relation to “PITUITARY” Gland
THE MAIN FEATURE OF DIMENSIONAL TRANSFER IS ” VORTEX ALIGNMENT”
-This happens by aligning to the Center & the Poles of every Vortex-
This is the real esoteric meaning of the “Cross”, as set within a fractal Vortex
(which Fractally/Synchronically connects the different dimensions of existence of True Creation)
The open Square or Piazza surrounded but the Colonnade in front of St Peter’s Basilica at the Vatican (designed by Michelangelo who was an insider privy to secret societies knowledge) is shaped like a keyhole, while the overall plan layout of the entire Basilica / Piazza / Avenue / Castle of St Angelo (pentagonal building at right) also mimics a full key; this symbolism of a key or keys is an essential aspect of Catholic Papacy, as the so called “Keys of St Peter” that the Pope possesses, are supposed to be symbolic keys given by Jesus to Peter, which confer the Popes supposedly the power to determine things on Earth & Heaven as well –otherwise known as “Keys to the Kingdom” (of God)–.
This detour or deviation of a spiritual wisdom unto a question of sheer power & control structure, is emblematic of the Demiurgic takeover described; the original spiritual symbol of a KEY meant to imply the OPENING OF THE INNER BRAIN ALIGNED TO THE EARTH’S POLES & PERIMETER CROSS ALIGNED TO THE GALACTIC CENTER CROSS, all in Fractal Synchronicity. But the 2nd Faction agents obfuscate & conceal this multi-dimensional spiritual knowledge, transforming it into highly materialistic fixed Laws & Dogmas to be blindly idolized and followed to a tee, some of which of course might have socially viable moral codes of conduct and so forth at the cover level, but at this bottom-line reduction of the issue it all becomes a sheer Game of “Consciousness Entrapment”. It matters little if this takes place in a secular philosophical democracy of Ancient Greece with the condemnation & Execution of Socrates or in the clerical theocracy of the Holy Roman Empire, it’s all the same tactic and the same result; demonstrably the Greek democracy after Socrates still had several benefits, just like the European theocracy after Emperor Constantine had some benefits, but all in all it expressed a DEVOLUTION by decree, a “false enlightenment” (false salvation) by imposition of idolatry. Meantime in whatever time and systemic context the phenomenon occurs, the true spiritual humans and their multi-dimensional wisdom have to go underground so to speak, because like Socrates they become threatened and persecuted under the name of supposedly great things. Anyone here thinking naively that I am specifically singling out Catholicism should take a better read at what I am describing, because the same exact procedure or Demiurgic takeover happens in nearly all other religions of any region or race or size all over the globe, just like in any other political system –moreover, often in much worse expression–.
I don’t care which, the same applies to Protestantism, Islam, Judaism, etc,
and all the gazillion denominations all the same, hardly any difference, same process
While the Pantheon embedded many of the Earth’s orb astronomical coordinates (see link above), St Peter’s Basilica added a crucial symbolism: THAT OF A ROTATIONAL DISPLACEMENT OF THE POLES, expressed via the 2 Squares rotated 45 degrees from one another, which form the central dome floor structure. In other words, they secret societies were announcing Urbi Et Orbi the coming Pole Shift (marked to occur after the “2012-2016” beginning of the Wandering), and the agenda to prepare the New Exodus.
AT THE SAME TIME LEONARDO DA VINCI WAS ENCODING THE SAME POLE SHIFT IN HIS FAMOUS LAST SUPPER MURAL PAINTING, JESUS & MARY MAGDALENE ARE OSTENSIBLY INCLINED 45 DEGREES EACH SYMBOLIZING THE CHANGE IN ROTATIONAL AXIS ANGLE OF THE EARTH. THE TRYPTIC MOTIF ABOVE THEM SIMILAR TO THE TRYPTIC MOTIF OF THE LOWER FLOOR OF THE UNIV OF VIRGINIA’S ROTUNDA; keep on kind that Da Vinci was obsessed with optics and has been suspected of having invented a form of photography which he apparently utilized to make his paintings, therefore when he places a 6×6 MAGIC SQUARE OF THE SUN on the ceiling of the Last Supper, he is suggesting a RECONFIGURATION OF THE MATRIX. THIS THEME IS REINFORCED BY THE ESOTERIC THEME BEHIND THE DOGMA OF THE TRANSUBSTANTIATION AS UNDERSTOOD IN CATHOLIC THEOLOGY FOR WHAT THE LAST SUPPER MEANS; WHAT THIS SECRETLY MEANT, IS SOMETHING NOT HAPPENED BEFORE… BUT SOMETHING THAT WOULD HAPPEN IN THE FUTURE TO ALL AND EVERYTHING, AN ACTUAL “CHANGE IN PHYSICS”, IN MATTER AND TIME AS IS, APROX AT THE SAME TIME OF THE POLE SHIFT. This is what I’ve laid out in Part 1 concerning the StarQuake of the Sun’s near invisible small Neutron Binary Star, whose changes by Quantum Entanglement simultaneously change the Sun as well; THIS IS WHAT THE “TWINNING” INCLINATION OF “JESUS & MARY MAGDALENE” SECRETLY MEANS, THAT BOTH BINARY STARS ACT IN SIMULTANEOUS MODE TO THE “GALACTIC CROSS” EVENT.
The “Galactic Cross” is an astronomical alignment that brings with it also being bathed
by a burst of Gamma Rays that come out of the central Black-Hole in the Milky way
THIS IS WHY THE TRANSUBSTANTIATION “HAPPENS IN A FLAT TABLE” AS A FLAT PLANE;
ONLY THAT IT IS NOT RECTANGULAR BUT ELLIPTICAL, AS SHOWN IN ST PETER’S SQUARE
-The figures in the Last Supper painting represent stellar bodies, whose ultimate OMEGA POINT occurs at the Table-
THE 4 VERTICES OF THE CROSS ARE SYMBOLIZED BY THE “4 EVANGELISTS”
THE “ALPHA & OMEGA” SYMBOLIZE THE BIRTH & DEATH OF EACH NEW MATRIX ERA
THE VERTICAL LONG “P’ SYMBOLIZES THE EARTH’S POLES WHICH WILL SHIFT
THE LITTLE CIRCLES SYMBOLIZE THE PLANETS, SUN, AND STARS
THE OUTER CIRCLE SYMBOLIZES THE “OUROBOROS” CYCLICAL TIME DRAGON
In order to make this reading of the overall encoding objective & irrefutable, the obelisk at the center of St Peter’s Square was brought from Heliopolis in Egypt (the City of the Sun), thus signaling the fact that it intends to be a stellar Galactic Cross CLOCK symbol; the changes in our star the Sun, are ultimately the main driver to the CHANGE IN PHYSICS AND TIME in this little corner of the 3D physical universe. When Leonardo Da Vinco was very afraid to fully encode the symbolism in a literally round/spherical projection (opting for a simulated rectangular one) and he chose nevertheless to indicate the circular projection above the scene painting, Michealngelo was adamant in using the circular (albeit Elliptical) projection with no fear whatsoever. However when Da Vinci included the 6×6 Square of the Sun in the ceiling of the scene, he was covertly spilling the beans, that the “last Supper” (and by extension all the “literal” Bible narratives) is actually AN ASTRONOMICAL EVENT IN OUR SOLAR SYSTEM AND OUR MILKY WAY GALAXY. In its most basic spelling so to speak, we would speak to something akin to a SUPER NOVA event, although it is more complicated than that.
The full scene design is of a 6×12 grid rectangle, the 12 squares at the bottom symbolize the 12 Zodiacal Sings “”The Apostles”); the left & right sides perspective is used to suggest a SPEEDING OF TIME FRAMES towards the central event of the 2 Binary Stars (“Jesus & Mary Magdalen”) inclining their Axis, i.e. a change in Time/Space of Physics, reaffirmed by the “Transubstantiated Bread & Wine” at the table. Yet it is not about things that happened as the status quo religious cartel told you, but about things that WILL happen; of the same happened at the end of the previous Era, but not 2000 years ago evidently, rather 26 or 13 thousand years ago.
*(a very loosely styled extrapolation of these monumental themes was given in my June 2011 article above)*
THE QUESTION HERE IS: EXACTLY WHAT KIND OF “CHANGES IN PHYSICS & TIME” ARE EXPECTED AT EACH CROSSING OF THE GALACTIC PLANE, AND THEIR ASSOCIATED EXPOSURE TO THE GAMMA RAYS COMING FORTH AT THAT CENTRAL FLAT DISK PLANE ANGLE…? IN OTHER WORDS, THERE IS OH BUT SO MUCH MORE TO THIS SECRET KNOWLEDGE HOARDED BY A TINY FEW (WHICH THEY OBTAINED FROM EGYPT, AND THE EGYPTIANS OBTAINED FROM THE FEW LESS THAN LEARNED SURVIVORS OF ATLANTIS & FROM THE ATLANTEAN INFORMATION REPOSITORIES INSIDE THE PYRAMIDS), THAN A A MERE ASTRONOMICAL ENCODING. IN ORDER TO PROPERLY ANSWER THIS, WE NEED TO RECONSIDER THE EMPHASIS ON THE “POLES” (THE “p” VERTICAL AXIS AS THE AGE OLD “AXIS MUNDI”).
*(in this article of January 20112 I loosely extrapolated on these changes)*
When that neuro-biologist discovered how Michelangelo’s painting secretly embedded a map of the Human Brain as the place where the Divine spark dwells in, he opened up a veritable Pandora Box; it is beyond doubt that Michelangelo also produced his famous image of the Finger of God never quite touching the Finger of Adam, also to symbolize the FIRING OF THE BRAIN SYNAPSES…! But there is more:
The “Abode of God” in Michelangelo’s painting… IS AN ISLAND. How in the world –you may ask– was Michelangelo aware of the existence of the Antarctica as a monumental island at the South Pole…? This conundrum reminds you that all those legends about the Templars in America long centuries before the alleged “discovery” of America… are true; when I said Pandora Box, I meant it more so than you can fathom. Think of a lot of those famous figures in a time of deep ignorance, illiteracy and superstition such as the Medieval Ages, perhaps as VISITORS FROM SOME OTHER PLACES MORE ADVANCED.
THE GATEWAY TO THE ANTARCTICA IS THE PATAGONIA
AT THE LOWER TIP OF SOUTH AMERICA
Therefore either Michelangelo belonged to a highly secretive tight group of learned Templars who possessed all the maps of the region as we know them today -and perhaps even traveled to the Patagonia–, or he was a “Visitor” from more advanced lands encoding critical information concerning the “2012-2016” beginning of the momentous Earth & Physics/Time Changes, which have to do with the South Pole, then evidently with the Antarctica located at the South Pole, take your pick. Well then, is there any other evidence as to the existence of this group keen to the knowledge of the Antarctica at the South Pole, and the Patagonia, in those days…?
MICHELANGELO (painter, sculptor) 1475-1564
ANDREA MANTEGNA (painter, student of Roman archeology) 1431-1506
LEONARDO DA VINCI (painter, architect, scientist, sculptor, etc etc etc) 1552-1519
DONATO BRAMANTE (architect) 1444-1514
This is just a postcard, as the list is longer; you get the idea. Bramante of course designed the 1st plan of St Peter’s Cathedral. These were people involved in Alchemy, WITH A SECRET KNOWLEDGE CONCERNING THE 5 AGES; 4 have passed, we are at the 5th which they viewed as the precursor of the Ascension (the “4 Evangelists” & “Jesus Christ”). “Jesus” as human nature represented this Era about to die, and to resurrected in a NEW GOLDEN AGE OF NEW ALCHEMICAL NATURE; they knew these things were not literal events that transpired in the Middle east, but symbols for momentous changes to come; “the “Christ” nature of the human “Jesus” represented the NEW HIGHER NATURE of those to be ushered into the New Golden Age, under new laws of Physics & Time, that which in the Book of Apoc/Rev is called the “New Jerusalem” as the “CITY OF INNER LIGHT” –where the light comes from the walls themselves, not shone from an external source like the sun–, in other words “Matter Illuminated” itself, or “Ascended Matter” tied to the Original Plan and the Original Divine Source, and not caught in the Ouroboros Dragon counterfeit cycles of Destruction & Death (the Age of Iron).
The 4 smaller Domes surrounding the central big Dome symbolize the “4 Evangelists” (the past 4 Eras) and “Jesus” transmuted in the ascended/resurrected “Christ”, respectively; the “Jesus” human nature aspect of this present 5th Era is portrayed in the BALDAQUINO (Quino means 5) as the altar with 4 columns canopy under the great Dome at the center of St Peter’s Basilica. The columns of the Baldaquino symbolize the 4 LETTERS OF THE GENOMIC ALPHABET encoded by the DNA (“ACTG” in biology, and “YHWH” in Kabbalah as the Tetragrammaton “formula name of God” in the Old Testament, a genetic formula that is), this is why these 4 Pillars are SPIRAL or SOLOMONIC, as they indeed represent the Spiral Strands of the DNA:
Take the case of Andrea Mantegna, who is the only painter to depict the mystery of Gethesemane or Gethsemani, otherwise known as the Agony in the Garden; Mantegna like Da Vinci studied and experimented with perspective. In the Gethsemane mystery painting below, he proceeds to paint a fantastic landscape that has zero resemblance to Jerusalem -with tall spiked peaks–, including a CONDOR perched on a tree; Condors are the national bird of Chile and omnipresent in the Patagonia. These birds are enormous and quite striking to watch, the Andean Condor has the largest wing span of any bird on Earth -at am unbelievable 10.5 FEET-.
This guy was a student of Archeology, meaning a highly meticulous character; take notice of the CROSS IN THE SKY, the clouds wiped by heavy winds, the massive rock formations, the ROSE GRANITE on the walls of the “New Jerusalem” appearing in the painting as a seemingly Ethereal City (“La Ciudad de los Cesares”), pay special attention to the many wild rabbits, the water streams embedded in tall vertical rock masses, and of course observe the centerpiece of the painting –THE 3 SPIKED PEAKS BEHIND THE ETHEREAL CITY–.
Still can’t figure out what famous highly specific geographical location/formation this painting is really about…?
Let me help you, lost traveler; his 2nd painting of the same Gethsemane motif, adds a few more details:
In this 2nd painting of the same Gethsemane mystery, Mantegna adds a big circular building with a dome on top -clear ref to The Pantheon as symbol of the SOUTH POLE–, this time the water features are more prominent, you see a small arched bridge, and a vertical waterfall coming out of the tall rock formations. The same clouds wiped by heavy winds, and an angel coming out of a cloud swirl’ notice the almost dried out broken tree; trees do not break by themselves in this manner, unless in a geography with severe weather of high winds –certainly not a feature of the Middle East–. Any savvy world traveler has already identified the spot Mantegna is painting, because it is one of the preferred destinations for travelers seeking the extraordinary, superb beauty in a unique pristine location on the planet, which is of course THE EMBLEMATIC TORRES DEL PAINE IN SOUTHERN CHILEAN PATAGONIA, the area’s most revered and iconic place par none. You go to the lower South America, and Torres del Paine is pretty much on top of the list of places to go; however Mantegna is portraying the Torres del Paine Peaks (called the “Cuernos del Paine”) FROM THE MUCH HARDER TO REACH BEHIND, WHERE EXACTLY THERE IS A POOL OF WATER AMID TOWERING ROCK FORMATIONS, ANCHORED BY A VERTICAL WATERFALL. It is one of the most incredible places on the planet, if not it; below a submit first some pictures of the Cuernos del Paine from behind (Mantegna’s view) and then after the famous awesome absolutely spectacular views from the front:
*(here a video of same “behind spot”)*
“CRUX” near the “POLE” ~~~ “XP” code of the “CHI-RHO” Sign of Constantine
Alpha Centauri is also named as “RIGEL KENT” which strikingly contains the same exact “CHI-RHO” transliterated to modern english
as “XP”; but the CHI-RHO” simply meant the 1st letters of “KH”-rist”, in other words in a more real transliteration these 2 would be “KR”
“RIGEL KENT” ~~~ “KR“
*(we must realize that this star a mere 4 light years away is the equivalent to our neighbor’s house in distance)*
THE 2 MOST INSTANTLY RECOGNIZABLE STAR CONSTELLATION ARE ORION IN THE NORTH HEMISPHERE AND THE SOUTHERN CROSS IN THE SOUTH HEMISPHERE (NOT VISIBLE IN EUROPE OR ABOVE TROPICS NORTH AMERICA); WHEN MANTEGNA PAINTS 5 CHERUBS IN THE SKY HOLDING A PILLAR HE MEANT THE “AXIS MUNDI” CENTERED AT THE SOUTH POLE, WHILE THE CROSS THEY ARE HOLDING REPRESENTS THE SOUTHERN CROSS CONSTELLATION, AND THIS IS THE SECRET MEANING OF THE “CROSS IN THE SKY” THAT EMPEROR CONSTANTINE ALLEGEDLY SAW BEFORE A BATTLE, THE FAMOUS SIGN OF CONSTANTINE LABARUM OR “CHI-RHO” (XP) SIGN. THE BATTLE MEANT TO SYMBOLIZE THE END-TIMES “BATTLE OF ARMAGEDDON”. CONSTANTINE CAME FROM THE AREA NOW KNOWN AS IRELAND, AND CARRIED WITH HIM THE SECRET KNOWLEDGE OF THE “CELTIC CROSS”, WHICH MEANING IS EXACTLY THE SAME -THE CROSS AT THE POLE-.
*(Constantine was born in present day Serbia, but his share of the Empire consisted of Britain, Gaul & Spain)*
GETHSEMANE” OR “GETSEMANI” THEN IS A SYMBOL FOR THE AGONY OF HUMANITY PRECEDING
THE END OF THE AGE (WHAT IN THE BOOK OF APOC/REV WAS LABELED THE “GREAT TRIBULATION”),
AND HOW TO TRACE BACK THE 3D ROUTE TO THE PREVIOUS ASTRONOMICAL & GEOPHYSICAL
CONFIGURATION OF THE OLD GOLDEN ERA OF SATURN CENTERED IN THE “AXIS MUNDI” AT THE POLES
“GARDEN” OF EDEN ~~~ “GARDEN” OF GETHESEMANE
Allegory: “Exile” from Eden paradise, and the 3D reverse way back into the same vortex
(CLUE: THE PATAGONIA IS THE GARDEN OF THE WORLD BASICALLY, AND STILL TOTALLY PRISTINE)
Below, the same famous Torres del Paine in Patagonia, viewed in their normal perspective now from the front
–notice how the Cuernos strongly suggest the appearance of a PORTAL or “way through”–:
Now the search for HYPERBOREA is usually placed in the North Pole, when there is actually nothing there but some ice on top of water; typically for ex when speaking about the Nazis’ quest for Hyperborea, the same DISTRACTION is given, whereas anybody with even the most minimal skills at conspiracy theory can easily find a treasure trove of urban legends concerning the alleged escape of Hitler to the Patagonia and/or the Antarctica. In so many articles in my other older blog I showed how the code in the name “SHAKESPEARE” as meaning to “SHAKE the SPEAR” referred to the shaped like a spear tip Spitsbergen Island in the Barents Sea above Norway at the Arctic Circle; what matters is that Spitsbergen was chosen as the key to the Shakespeare Code, because the spear tip POINTS SOUTH (i.e. look in the South Pole, not here North):
-(you must read this older Feb 2011 article in order to further understand the “Axis Mundi” encoding)-
THE NAME “LONGINUS” IS A CLEAR UNMISTAKABLE PUN OF “LONGYEARBYEN” IN SPITSBERGEN, WHICH IN TURN
MEANS TO REFERENCE THE “LONG YEAR COUNT” OF THE 26,000 YEAR PRECESSION OF THE EQUINOXES
(notice also the ref to the Pyramids of Egypt in the very near place “Pyramiden”, see map below)
Another newer Feb 2012 article in this very blog here, further expanded on the same highly secret Templar motif:
I make the claim (or suggest it) THAT “THINGS” —IN THE SENSE OF EXTANT ATLANTEAN INFORMATION KEYS & MAPS CONCERNING THE ASTRONOMICAL DESTRUCTIVE CYCLES AND THE SCIENCE OF THE “AXIS MUNDI”— WHICH WERE ORIGINALLY CONTAINED IN THE PYRAMIDS OF EGYPT, WERE STOLEN AND HIDDEN MY MANY PARTIES, THE TEMPLARS MAIN MISSION WAS TO “LOCATE & REPOSSESS” & HIDE” WHATEVER THEY COULD GET THEIR HANDS ON CONCERNING THESE, WHICH THEY DID TO SOME EXTENT; I CLAIM THAT THERE WAS AN EXODUS DURING THE REIGN OF PHARAOH AKHENATEN FROM EGYPT TO THE BASQUE REGION (in Spain/France at the Bay of Biscay) AND THEN FURTHER UP TO SCOTLAND, FROM WHERE SOME KEY PIECES OF THIS ATLANTEAN SECRET KNOWLEDGE WERE ABSCONDED IN SPITSBERGEN ISLAND, A PERFECT PLACE TO STASH IT ALL AWAY. Then it follows logic that a “Shakespeare Code” was enacted in order to preserve the ref to the location in case of catastrophes be them wars or what have you; we must understand here that the Pharaonic Egyptians were most definitely NOT the ones who built the pyramids, as these were Atlanteans a good 8 thousands years before or even more (aprox 8 to 12 thousand years before 2000 BC, at the very least I mean). Therefore the faction during the reign of Akhenaten, was merely a recent attempt at hoarding and stashing away some of this left over crucial information regarding the END OG OUR AGE and the means to find the “way back” to the previous Hyperborea higher-dimensional geography, which is linked to us at the South Pole, all seems to indicate.
I CONTEND ALL THE “DOMES” IN RENAISSANCE OR NEO-CLASSIC STYLED ARCHITECTURE (for ex St Pete’rs Basilica at the Vatican, St Paul’s Cathedral in London, the Washington Capitol Building, etc etc etc) WERE ACTUALLY DEPICTIONS OF THE POLE CENTERED MAPS, EXPRESSING THE POLE CENTERED SPHERE OF THE EARTH. This in my opinion was because they transmit the secret knowledge of a REVERSE astronomical / geographical configuration related to the Golden Age of Saturn and the Axis Mundi Staff Alignment of the Solar System, this configuration existing in an “Inner Earth” higher Dimensional cosmos, thus they all express the notion of a “way back” route in 3D, to a point in the VORTEX where the 2 3D & 4d/5D cosmos link or connect via PORTAL vortex gates.
Finally, for those still wondering what those little curved bridges represented in the 2 paintings of the Agony in the Garden by Mantegna (aprox circa 1450), here I offer this remarkable clue seen in the videos below; this is the famous PERIODICAL COLLAPSE OF THE PERITO MORENO GLACIER IN THE PATAGONIA, a tip of the glacier that connects to different lakes at different altitudes, generating this “BRIDGE” of ice that collapses cyclically. More & more the more one gets into the nitty-gritty of the anomaly, one realizes that Mantegna either had been in those Patagonia landmarks as part of secret Templar posts, or had seen visual illustrations of them: